Write a Minor i - III - VI - V progression

This is a classic progression. You can hear it in a lot of songs. Here are a few:

Crazy by Gnarls Barkley (Cm - Eb - Ab - G)
If You Want Me to Stay by Sly and Sly and the Family Stone (wait for the song to get going, you'll hear it) (it's not tuned to A440, but if it were the chords would be Bbm - Db - Gb - F)

Here are the rules for this challenge:
1. Use this progression, in order, in one section of your song.
2. Whatever you write has to be written after reading this post.

The first rule means you can't play i III V VI or III i VI V instead, it's gotta be those four chords in order! However, if you wanted to write something that went something like:

i III VI V
i III IV IV

that would be ok! As long as you're including one complete set of i III VI V

For those of you who might be new, let me do a little breakdown of these roman numerals:

Lets take the key of E Minor

Scale first: E F# G A B C D E

If you remember the order of chords in a minor key, it's minor dim maj min min maj maj so:

I = Em
ii° = F#°
III = G
iv = Am
v = Bm
VI = C
VII = D

These are the chords in E Natural Minor, but the chord progression we're using for this challenge has a Major V chord (you can tell because it's UPPERCASE)

Major V chord means we're in harmonic minor territory. So the scale gets the option of a #7 and while that can have an effect on other chords in the key, the main chord effected is the V chord.

So now, instead of Bm = v, we've got B = V, and since it's the V chord, we can make it a dom7 so B7 = V7

The basic triad version of this progression is: Em(i) G(III) C(VI) B(V)

If you want to add 7's to each chord it's: Em7 Gmaj7 Cmaj7 B7

If you need a refresher on this stuff, check out Music Theory Monday's first few lessons.

Your creation can be the equivalent of a scribble on a napkin, something you did quickly and recorded on your phone, or a full song. As long as you follow the rules, your creation can be as sloppy an hastily recorded as you like. Perfection is not necessary. You could even just pick a key and play this chord progression to make sure you understand the assignment. But if you want to write a full song, you're more than welcome to do so!

Pick any previous challenge!

To be more specific:
You could pick a previous challenge that you missed when it was first posted, or pick a previous challenge that you feel like you could have done better or differently.

If you haven't tried a community challenge yet, you could pick one that looks the easiest, the most interesting, or the most fun to try! I strongly encourage anyone who hasn't tried a Community Challenge to participate in this one, since you've got a lot of options!

Write Something Using Hammer-Ons

The easiest way to participate would be to write a melody or chord progression that includes some hammer-ons. Then record that to your phone. No need to get fancy.

If you want a little more of a challenge, you could write both a chord progression AND a melody using recording software. Or a whole song. This particular challenge is pretty open-ended! Have fun with it.

Write Something In Melodic Minor

In this case, something can mean:

1. a whole song
2. a chord progression
3. a lone melody

It has been absolutely inspiring to hear all the submissions for community challenges so far. If you've been nervous to participate or feel like you're not ready, I'd like to remind you of two things:

Thing 1 is that you can submit your creations for any previous challenge at any point! They are open for you to participate wether you're reading this now in 2021 or later in 2045 - if the community challenges are posted, you're welcome to participate.

Thing 2 I'd like to emphasize is that you are welcome to participate at whatever level you're comfortable. This is a place for learning. If you were already a professional musician, you wouldn't be here. These challenges are designed to meet you where you're at so you can learn and grow in the most important way possible: by creating your own music.

Even if you don't want to be a songwriter, making music is (in my opinion) THEE way to understand and grow and become a musician. You don't need to write songs. Even just something as simple as writing a chord progression once a week can radically change how you approach your instrument. It's powerful. It is life-changing. It's fun.

If you're not familiar with Melodic Minor, I recommend brushing up on your Music Theory Monday.

Essentially, Melodic minor is about having the option of using two extra notes and therefore two (plus maybe a few more) extra chords. That turns something like this:

E Minor Scale: E F# G A B C D E

Into something like this:

E Minor Scale (with added Melodic Minor notes) E F# G A B C (C#) D (D#) E

Which gives you some chord options:

E Natural Minor Chords:

Em • F#° • G • Am • Bm • C • D

chord options added by melodic minor:

A • A7 • B • B7 • D# fully dim

Write Something Sad

Sometimes writing something sad can make you feel really good! Sometimes writing something sad can make you feel more sad, but in a good way.

How do you write something sad? Sometimes it's about the way you play.

Here is a list of suggestions:
1. Slow tempo
2. Play in a way that is heavy, relaxed
3. Pick a minor key
4. Keep it sparse and simple
5. Melodies with long notes and gentle transitions might work better than staccato or jagged melodies
6. A slow bend up to a note can sound sad sometimes
7. Sliding up or down to a note in your melody can sound tired in a sad way sometimes

This is extremely open ended. You could write a chord progression or a whole song. It could be an instrumental ballad or a single, solitary melody played to some slow acoustic chords. Whatever you do, if your creation feels sad, submit what you've written to the community forum and we'll all have a listen. If you tried to make something sad and you're not sure you've nailed it, submit it anyway! Maybe the community will have some more technical suggestions for how to make it sound sad!

If you're stuck on how to do this, keep in mind that your body language and the way you play will often translate more than what notes you play. So it might help to imagine how it feels to be sad and see how your body feels. Or if you're already feeling sad, pour that into the guitar and see what happens.

Yes, music theory is important, but ultimately music is about expressing yourself. The suggestions above will help, but trying to translate how your body feels when you're sad into playing the guitar can take some practice!

The idea here is to experiment, explore and have fun.