Live Stream | 34

Office Hours, Q&A

This stream had a lot of good questions. How to sit down and write music that fits your mood, how to figure out the key of a riff in your head or how to apply chords to a melody you've come up with. We also got into a bit about what MIDI is and if you need an audio interface with a DIN connector (you don't.)

Then we talked a bit about what kind of tuner to buy if you're experimenting with alternate tunings, how to start making chord and melody arrangements, and why it's so awkward an un-guitarly to play major scales.

We also talked about the meter of lyrics and how to identify the meter of your lyrics and use that in your own writing.

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Songwriting | 04

Scott's Songwriting Process

One of my main goals for this Patreon is to promote creativity. You've probably heard me say this a hundred times in various contexts throughout my videos: writing music is one of the best ways to learn and understand music theory.

This is a vulnerable look at me in a recording software songwriting session - not polished, not perfect, just tinkering, practicing, working things out. The goal is to show you this process so you have questions and curiosity about writing this way!

The point of this video is to:

a) drum up interest (and hopefully inspiration) for writing music with recording software

b) invite more music writing questions from my patrons

c) give you a sense of what you can do with all the things you're learning here and most importantly,

d) to be vulnerable with you and put my cards on the table

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Live Stream | 33

Office Hours, Q&A

This week we got into a lot of live chat questions. It was a fun one, and the camera guitar is back up and running so we'll get to use that from now on.

One thing I talked about at length was how to get into the initial phase of ear training - the idea of trying rapid fire to find the key in a bunch of songs on a spotify (or youtube) playlist. Don't listen to the whole song, just the first 30 to 60 seconds and see if you can figure out the key. If you get a list going and you want to ask the community about it, post that here. If you feel like you're getting a sense of things and want to take a stab at the chords, try here.

We talked about plenty of other things, including how to read (and prepare to read) lead sheets, how to play bass with a guitar player and also related - how to approach ranges when playing with another guitar player.

I also offered a fun challenge to come up with a bunch of voicings for rhythm guitar on JUST the D, G, and B strings on any of my jam tracks (because its fun) and I've attached some scratch paper to aid in that process. I'd LOVE to hear what you come up with because voicings on those strings are my favorite.

Also I told Christiane to watch Octave Shapes | Memorizing the Fingerboard, but if you haven't you should too.

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Bass | 2

Crash Course 2

In this lesson I get into a little bit of bass technique and how it can help you think about guitar a little differently. Then I get into a little bit about walking bass lines. I don't want to spend too much time on bass because this Patreon is for guitar so I kept it brief, but the concepts for walking bass lines are very similar to melody making, like in these melody making lessons: 1 2 3.

I developed a handful of little bass walks and talked about the concepts. Hopefully you'll find it helpful or at least interesting and something cool to think about!

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Bass | 1

Crash Course 1

I know this is a place to learn guitar, but hear me out.

When I started to play a lot of bass about 12 years ago, it changed the way I think about guitar. In this lesson, we're covering some basic concepts about how bass interacts with music theory. From following the kick drum (initially) to how bass interacts with Major and Minor chords - then digging a little deeper on the distinction between Maj7 and Dom7 chords. Even if you don't own a bass, you can practice making basslines on your guitar! Understanding how a bass player approaches writing a bass line can help you think differently about how you might play a rhythm part or write a counter melody, or any number of things!

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Live Stream | 31

Office Hours, Q&A

This was a fun one. We got deep into sus chords up front and how the IV chord in a major key is tricky with sus chords. We talked about a quick way to think about secondary dominants. We talked about what to think about when you're soloing, how to approach double stops, and a load of other things! Including how you can set out to write in a mode and just end up writing in a Major or Minor key AND how the opposite can happen too!

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Open Tuning

Chord Progressions in Open D

In this lesson we explore how to make some fun chord progressions in Open D tuning - D A D F# A D

This tuning is beautiful but presents some interesting difficulties! We don't have enough fingers to make most of the chords in the key, but we can still play them by using drone notes that each chord will have in common. The result is a beautiful, complex-sounding set of options to play with.

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Live Stream | 30

Office Hour, Q&A

This was a fun one. We talked a lot about Dom7 chords today. First, we talked about wether they HAVE to have the 7 to qualify as a dom7 chord, or can they just function that way. Then we talked about Augmented chords and how they function, and then how you can sneakily substitute a fully diminished chord for a V chord in harmonic minor. This A minor jam track was used at one point.

Then we got into some other good questions about a variety of things: How I got into music, general ideas around writing bridges and writing music in general and a bunch of other things!

I promised someone (Hugh, was that you?) that I would attach my CAGED Pdf from YouTube, but you can also find my notes from this lesson as well.

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Songwriting Challenge | 03

Ten 'Turds'

In this lesson I'm walking you through the process. The process. This is a great way to get into writing music: practice writing a bunch of crappy ideas as quickly as possible. The more you write, the more you see your patterns, your go-to's, and your habits. The more you write this way the more you get to be surprised by a cool idea that pops up. The more you write this way the more you confront all those "I'm not good enough feelings" and learn how to just move onto the next thing.

This writing method is called the "ten turds" method because so many of my songwriting students have been so afraid to start writing music because they think, "what if I write something bad." I'm here to tell you, most of the music that you'll ever write - and that I'll ever write! - that your favorite artist writes - won't live up to your standards. And thats ok. Because when you get into writing and focus on just doing the work, you get better at writing and you learn how to lean into the good stuff. This technique is designed to get you out of your own head and just practice writing stuff no matter how good or bad you think you are at writing.

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Live Stream | 29

Office Hours

This was a fun stream - there were MANY questions about soloing over chord tones, so I want to set up a set of links here for resources:

MTM 16, 17, and 18 will help you understand how to make melodic phrases, which is foundational to making solos.

CAGED Soloing series helps you take these melody-making concepts and apply them to specific chord progressions in specific.

Why Pentatonic part 1 helps you understand that the pentatonic scales are dope BECAUSE they a) fit the guitar well and b) they allow for you to EASILY adapt to nearly any mode - this is to help solidify that the pentatonic scale is really just a scaffolding of the major and minor scale.

There were plenty of other great questions, too!

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Live Stream | 28

Office Hours

This was a fun one. We talked about left and right hand synchronization exercises and how to think about soloing over specific chord progressions. I used this E Major Jam Track

We also discussed how to move out of your comfort zone to learn new things. How much to take on at once and how to integrate new stuff into your comfort/thinking zone.

We talked a little about how to figure out strumming patterns and I recommended starting with my strumming series. That will be a great foundation for learning to hear progressions in the music you listen to.

We also talked a bit about how sus chords work and how to start figuring out what you're doing when you noodle around. We also went into drone notes a little bit.

We also talked more about dominant chords, and harmonic and melodic minor. I used this A Minor Jam Track to mess with wether to use a Mixolydian scale or just a modified A Minor Scale (aka, a harmonic minor scale.)

I also fielded some live questions from the chat and we discussed some nice ideas about gear, DAWs, audio interfaces, and a few other great questions. Also, Ernie the dog made an appearance.

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MTM | 20

Noodling Is Important!

In this lesson I talk about noodling - what it is first, then how to use it to "hear what you sound like." From there I give some strategies for how to gradually get from the mindful, deliberate mindset where effective practice happens, to the place where you can implement that stuff in the flow state of noodling. Essentially, if you train your noodly autopilot, you can get to a place where you're taking a solo without having to think too hard about it! This takes practice, and this lesson is about how to practice that.

Here are my jam tracks SPJ Jam tracks

The previous MTM lessons were all about deliberately and purposefully making melodies - this lesson is about leaving that alone sometimes and just flowing.

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Music Theory For Guitar | 07

Diminished & Augmented Triads

Music Theory for Guitar is back. In this 7th installment of lessons, I'm going to help you get acquainted with Diminished and Augmented triads. In this overview lesson, I'll talk a little bit about HOW to make these chords and how they fit on the guitar. In the next set of homework lessons, I'll hone in on the main concepts to help the ideas get stuck in your head, and then we'll end with a nice play-along practice track.

Other lessons in this series:

- Homework 1

- Homework 2

- Practice (coming soon)

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Strumming Patterns | 03

Playing to a Beat

In this lesson we take our previous strumming patterns and play them to a beat. From there we discover the difference between 8th note and 16th note strumming patterns and how to explore playing them over a variety of tempos.

Explore the 16th and 8th note play-along tracks while you practice strumming patterns. If you come up with a pattern you like or feel inspired to write a cool chord progression or something else, share it on the community forum post for this lesson!

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Live Stream | 27

OFFICE HOURS, Q&A SATURDAY

This was a fun one! We talked about Major and Minor keys and how chord progressions can be Natural, Harmonic, and Melodic minor and how that relates to the secondary dominants in the Major Key. The Pixies "Where is My Mind" came up as an example.

We also talked about jamming with friends, setting up a pedal board, and a few other things. It was a lot of fun! If you have follow-up questions or progress related to any of these concepts, post about it on the community forum.

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