Making Beats & Learning The Fingerboard
Question 1: Sean was curious about building out a song with drums and bassline. I gave a thought about the distinct difference between playing live with a band vs making a beat in recording software. I suggested GarageBand basics for more details on making beats, and my Bass Crash Course for learning to write basslines.
Question 2: Brett was wondering if we're limited to only 7 notes when playing a solo. It took a sec for my software to boot, so I started Guitar Camera stuff around here. Brett also wanted to know the best method for learning the fingerboard. But I forgot to answer that question! Fortunately someone else asked the same question later. Scroll down to question 2! I recommend learning Octave Shapes. Unison Shapes is a pretty cool lesson too.
Question 3: Josh was wondering if I could explain the e minor pentatonic scale used in blues music. I gave a brief idea, but I dig in a little deeper in MTM 12 and MTM 13. If those are a little heavy, start MTM from the beginning. If that's too heavy, start with Music Theory Monday.
Question 4: Hal was wondering if I plan to make any technique videos again like Playing Mechanics. I suppose I could! Is anyone else interested?
Question 5: Graeme, who made this AMAZING ONLINE SCRATCH PAPER for everyone to use, was wondering about dom7 chords. Specifically, does the VII7 in a minor key resolve to III? We get philosophical because yes, but no, but kinda.
Question 6: Dr. Algenpfleger wanted to know the best way to learn the fingerboard. This is where I answer the other question I forgot from Brett in question 2. Definitely check out Octave Shapes.
Question 7: Mark-R wanted to know how much time to spend on each lesson. Generally, spend enough to understand and play around with the concept, but not enough to master. Context in a series is more important than complete mastery of each lesson before moving on.
Question 8: Roscopico was curious about the ideal approach for those with arthritis or other arm and hand issues. My suggestion is not as much physical, but emotional - ALWAYS warm up with the same thing so you have the opportunity to learn how your hand feels and reacts differently day to day.
Question 9: MJ was wondering my go-to ways to make a simple chord progression more interesting. Adding 6ths/7ths/9ths as you see fit can do a LONG way along with playing different voicings. I get into it.
Question 10: Daniel asks how to get out of the repetitiveness of playing open chords and pentatonic scales. I recommended CAGED Basics.
Have follow up questions? Bring the discussion to the community forum.
REMEMBER, THERE ARE NO DUMB QUESTIONS! EVER!